Carlo Maratta

(13 May 1625 - 15 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
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Carlo Maratta The Sleep of the Infant Jesus, with Musician Angels oil painting


The Sleep of the Infant Jesus, with Musician Angels
Gemälde ID::  84572
Siehe Galerie in Schweden
The Sleep of the Infant Jesus, with Musician Angels
Date 1697(1697) Medium Oil on wood Dimensions Height: 120 cm (47.2 in). Width: 98 cm (38.6 in). cjr
Date_1697(1697) _ Medium_Oil_on_wood _ Dimensions_Height:_120_cm_(47.2_in)._Width:_98_cm_(38.6_in). _ cjr
   
   
     

Carlo Maratta Portrait of Andre Le Notre oil painting


Portrait of Andre Le Notre
Gemälde ID::  87133
Siehe Galerie in Schweden
Portrait of Andre Le Notre
Date c. 1680(1680) Medium Oil on canvas cjr
Date_c._1680(1680) _ Medium_Oil_on_canvas _ cjr
   
   
     

Carlo Maratta The Sleep of the Infant Jesus oil painting


The Sleep of the Infant Jesus
Gemälde ID::  88428
Siehe Galerie in Schweden
The Sleep of the Infant Jesus
1697(1697) Medium Oil on wood cyf
1697(1697) _ Medium_Oil_on_wood _ cyf
   
   
     

Carlo Maratta Portrait of Andre Le Notre oil painting


Portrait of Andre Le Notre
Gemälde ID::  91816
Siehe Galerie in Schweden
Portrait of Andre Le Notre
. 1680(1680) Medium oil on canvas cyf
._1680(1680) _ Medium_oil_on_canvas _ cyf
   
   
     

  1
Vorheriger Künstler       Nächster Künstler     

     Carlo Maratta
     (13 May 1625 - 15 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.

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